Thursday 28 January 2016

• 17:00 - 'The Cinderella of Complete Elizabethan Partbooks Sets: A New Look at the Hamond Partbooks (GB-Lbl: Add. MSS 30480-4)'
  Katherine Butler (Oxford)
  Seminar in Medieval and Renaissance Music

Thursday 11 February 2016

• 17:00 - ‘The music for the early 15th-century English carol: dates and origins’
  David Fallows (University of Manchester (emeritus))
  Seminar in Medieval and Renaissance Music

Thursday 25 February 2016

• 17:00 - 'Philippe de Vitry at Meaux’
  Andrew Wathey (University of Northumbria)
  Seminar in Medieval and Renaissance Music

Thursday 10 March 2016

• 17:00 - ‘Medieval psalters as witnesses to liturgical song: the Iberian case’
  Emma Hornby (University of Bristol)
  Seminar in Medieval and Renaissance Music

Thursday 20 October 2016

• 17:00 - ‘Motets in England in and around the Old Hall manuscript’
  Margaret Bent (Oxford)
  Seminar in Medieval and Renaissance Music
• 17:00 - ‘Motets in England in and around the Old Hall manuscript’
  Margaret Bent (Oxford)
  Seminar in medieval and renaissance music

Thursday 27 October 2016

• 17:00 - ‘En remirant oy chanter: Intermediality in late-medieval song’
  Pedro Memelsdorff (Utrecht University, Fondazione Giorgio Cini)
  Seminar in Medieval and Renaissance Music
• 17:00 - ‘En remirant oy chanter: Intermediality in late-medieval song’
  Pedro Memelsdorff (Utrecht University, Fondazione Giorgio Cini)
  Seminar in medieval and renaissance music

Thursday 10 November 2016

• 17:00 - 'A Fifteenth-Century Rock Star: Pietrobono dal Chitarino and his Repertory'.
  Bonnie Blackburn (Oxford)
  Seminar in Medieval and Renaissance Music
• 17:00 - 'A Fifteenth-Century Rock Star: Pietrobono dal Chitarino and his Repertory'.
  Bonnie Blackburn (Oxford)
  Seminar in medieval and renaissance music

Thursday 17 November 2016

• 17:00 - ‘Je ne fais toujours que penser: Analyzing Binchois’ songs’
  Felix Diergarten (Hochschule für Musik, Freiburg)
  Seminar in Medieval and Renaissance Music
• 17:00 - ‘Je ne fais toujours que penser: Analyzing Binchois’ songs’
  Felix Diergarten (Hochschule für Musik, Freiburg)
  Seminar in medieval and renaissance music

Thursday 1 December 2016

• 17:00 - ‘Polyphonic Music and Royal Liturgy in Thirteenth-Century Castile’
  David Catalunya (University of Würzburg)
  Seminar in medieval and renaissance music
• 17:00 - ‘Polyphonic Music and Royal Liturgy in Thirteenth-Century Castile’
  David Catalunya (University of Würzburg)
  Seminar in Medieval and Renaissance Music

Thursday 26 January 2017

• 17:00 - From broken heart to divided song: divisio at the intersection of poetry and music in the Due- and Trecento
  Mikhail Lopatin (University of Oxford)
  Seminar in Medieval and Renaissance Music

Friday 27 January 2017

• 12:00 - A Song to Symmetry - A Talk by Marcus du Sautoy
  TBA
• 18:00 - Journeys of the mind: Bach's Clavier-Übung series - A Talk by Robert Quinney
  Robert Quinney (Organist and Director of New College Choir)

Thursday 9 February 2017

• 17:00 - The Mendicants and the Motet
  Christian Thomas Leitmeir (Magdalen College)
  Seminar in Medieval and Renaissance Music

Thursday 23 February 2017

• 17:00 - Drugs, Sex, Medieval Cultural Politics and the Learned Musicians of 18th Century Paris: Surviving the Centuries as a Machaut Manuscript
  Uri Smilansky (King's College London)
  Seminar in Medieval and Renaissance Music

Thursday 9 March 2017

• 17:00 - The Dominican Missal in the Thirteenth Century’
  Eleanor Giraud (University of Limerick)
  Seminar in Medieval and Renaissance Music

Tuesday 10 October 2017

• 17:15 - 'A Traviata of irony and enjoyment': coloured opera as political act in apartheid South Africa
  Juliana M. Pistorius (University of Oxford)

Tuesday 17 October 2017

• 17:15 - Postcolonial Melancholia and Humour in UK Hip-Hop
  Justin Williams (University of Bristol)

Thursday 19 October 2017

• 17:00 - "Usuall Musicke". Singing upon the book in the Renaissance
  Philippe Canguilhem (University of Toulouse)
  Seminar in Medieval and Renaissance Music

Tuesday 24 October 2017

• 17:15 - Reimagining Popular Music History
  Tom Perchard (Goldsmiths, University of London)

Tuesday 31 October 2017

• 17:15 - From Transcription to Transdialection: Score production during Broadway's Golden Age
  Dominic McHugh (University of Sheffield)

Thursday 2 November 2017

• 17:00 - Models of exemplarity: towards an understanding of Tinctoris’s musical examples
  Adam Whittaker (Birmingham City University)
  Seminar in Medieval and Renaissance Music
• 17:00 - Models of exemplarity: towards an understanding of Tinctoris's musical examples
  TBA

Tuesday 7 November 2017

• 17:15 - Title TBC
  Marie Thompson (University of Lincoln)

Tuesday 14 November 2017

• 17:15 - Title TBC
  David Weigl (Oxford e-Research Centre)

Thursday 16 November 2017

• 17:00 - Sweetly divided': Analytical propositions and problems for the thirteenth-century jeu-parti
  Joseph Mason (University of Oxford)
  Seminar in Medieval and Renaissance Music

Tuesday 21 November 2017

• 17:15 - Hearing the Relational in Music
  Nicholas Cook (University of Cambridge)

Tuesday 28 November 2017

• 17:15 - Brahms's Song Poetry and the Construction of Culture in Gründerzeit Germany
  Natasha Loges (Royal College of Music)

Thursday 30 November 2017

• 17:00 - Revisiting the tradition of late-medieval Florentine song: shedding multispectral light on Trecento music
  Andreas Janke (University of Hamburg)
  Seminar in Medieval and Renaissance Music
• 17:00 - Revisiting the tradition of late-medieval Florentine song: shedding multispectral light on Trecento music
  Andreas Janke (University of Hamburg)

Thursday 25 January 2018

• 17:00 - Music and the Staging of Princely Power in Late Medieval France
  Yolanda Plumley (University of Exeter)
  Seminar in Medieval and Renaissance Music
• 17:00 - Music and the Staging of Princely Power in Late Medieval France
  Yolanda Plumley (University of Exeter)

Thursday 8 February 2018

• 17:00 - The making and re-making of the Sadler partbooks: GB-Ob MSS Mus. e. 1–5
  James Burke (University of Cambridge)
  Seminar in Medieval and Renaissance Music
• 17:00 - Three generations of Lancaster: the chapel musicians of John of Gaunt, 'Roy Henry' (King Henry IV), and King Henry V
  Roger Bowers (University of Cambridge)

Thursday 22 February 2018

• 17:00 - The making and re-making of the Sadler partbooks: GB-Ob MSS Mus. e. 1-5
  James Burke (University of Oxford)
• 17:00 - Music, Pleasure and the Intertextual Arts in the Long Thirteenth Century
  Mark Everist (University of Southampton)
  Seminar in Medieval and Renaissance Music

Thursday 8 March 2018

• 17:00 - The Koblenz fragments: fourteenth-century motets, the Carmelite order, and fifteenth-century church reform
  Karl Kügle (University of Oxford and University of Utrecht)
  Seminar in Medieval and Renaissance Music
• 17:00 - The Koblenz fragments: fourteenth-century motets, the Carmelite order, and fifteenth-century church reform
  Karl Kügle (University of Oxford)

Thursday 18 October 2018

• 17:00 - ‘HERA Project SoundMe - Polish Academy of Sciences, Warsaw: ‘Musical past and regionalism in early modern Silesia: the hymnbook of Valentin Triller’
  Antonio Chemotti
  Seminar in Medieval and Renaissance Music

Thursday 1 November 2018

• 17:00 - ‘The motets of Douce 308: evidence for a more extensive monophonic tradition?’
  Elizabeth Eva Leach (University of Oxford)
  Seminar in Medieval and Renaissance Music

Thursday 15 November 2018

• 17:00 - ‘The contents and provenance of the fragmentary royal choirbook of the 1420s: an update’
  Margaret Bent (All Souls College)
  Seminar in Medieval and Renaissance Music

Tuesday 27 November 2018

• 17:00 - ‘The non-Italian Ars nova, or how to read the madrigal Povero Zappator by Lorenzo da Firenze’
  Elena Abramov van Rijk (Jerusalem)
  Seminar in Medieval and Renaissance Music

Saturday 26 January 2019

• 18:30 - Holocaust Memorial Concert
  Mala Tribich (née Helfgott) (Holocaust survivor and educationalist)

Wednesday 1 June 2022

• 16:55 - Musical Interaction: Between Tight and Loose
  Please note this talk will take place online (Zoom) and starts at 4.56pm
  Dr Tal Chen Rabinowitch (University of Haifa)
  The Oxford Seminar in the Psychology of Music

Wednesday 16 November 2022

• 16:30 - Analysing arrangement: four versions of Mahler’s early songs
  Available to watch on YouTube: https://www.youtube.com/watch?v=I1VoKLwTRyc
  Dr Frankie Perry (Independent Scholar)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Monday 21 November 2022

• 16:00 - Writing at the Intersection of Science & Technology Studies (STS) and Hip Hop Poetics
  Please note this event is online only, please visit the website to register.
  Dr Enongo Lumumba-Kasongo (Brown University)
  Speaks

Wednesday 23 November 2022

• 17:00 - The power(?) of music: Probing the relationship between music and autobiographical memories
  Watch on YouTube: https://youtu.be/j7qSG-WwAp8
  Dr Kelly Jakubowski (Durham University)
  The Oxford Seminar in the Psychology of Music

Wednesday 18 January 2023

• 16:30 - Forensic musicology in commercial popular music: ontologies and epistemologies
  Available to watch live via our YouTube channel
  Professor Joe Bennett (Berklee College, Boston)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Wednesday 25 January 2023

• 16:55 - Studying the effect of oral transmission on music evolution using online singing experiments
  Available to stream via our YouTube channel
  Dr Manuel Anglada-Tort (University of Oxford)
  The Oxford Seminar in the Psychology of Music

Monday 30 January 2023

• 16:00 - Anoushka Shankar in conversation with Professor Suzanne Aspden
  Anoushka Shankar, Professor Suzanne Aspden (University of Oxford)

Wednesday 8 February 2023

• 16:55 - Emotional Engagement with Music affects subsequent Musical Imagery: An Experimental Study
  Join us in person or watch live on our YouTube channel.
  Professor Freya Bailes (University of Leeds)
  The Oxford Seminar in the Psychology of Music

Friday 10 February 2023

• 11:30 - Speaks with Simon Steen-Andersen
  Visit our website to register for the Zoom link
  Simon Steen-Andersen (University of the Arts Bern (HKB))
  Speaks

Monday 24 April 2023

• 16:00 - <speaks> with Kit Mackintosh
  Please note this is an online event. Visit our website to register.
  Kit Mackintosh
  Speaks

Wednesday 3 May 2023

• 16:30 - African art music and the challenge of postcolonial composition
  Professor Kofi Agawu (City University of New York)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Monday 15 May 2023

• 16:00 - <speaks> with Matana Roberts
  Free to attend, register via our website. Please note that registration closes at 10am on the day of the event. If you would like to receive the Zoom link after this time, please email Georgia at events@music.ox.ac.uk
  Matana (Roberts)
  Speaks

Wednesday 17 May 2023

• 16:30 - The Oxford Seminar in Music Theory and Analysis: AI, neural networks and style appropriation
  Free to attend, no registration required. Please visit our website to join the Zoom meeting
  Professor Jennifer Walshe (University of Oxford), CJ Carr (Stability AI), Christine McLeavey (OpenAI)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Tuesday 10 October 2023

• 17:15 - Oxford Seminar in the Psychology of Music: Alexander Refsum Jensenius (University of Oslo and RITMO)
  Attend in person or join remotely via the Zoom link on our website
  Professor Alexander Refsum Jensenius (University of Oslo)
  The Oxford Seminar in the Psychology of Music

Thursday 12 October 2023

• 17:00 - Listening to White Supremacy on Trial: Audio Remote Access and the Limits of Open Justice
  Professor Nomi Dave (University of Virginia)
  Seminar in Ethnomusicology and Sound Studies

Tuesday 17 October 2023

• 17:15 - Karnatic violinist Sumanth Manjunath in conversation with Dr Alice Barron
  Dr Alice Barron (University of Oxford), Sumanth Manjunath (University of Mysore)
  Graduate Research Colloquia

Thursday 19 October 2023

• 17:00 - Sound Fragments: Collaborative Curation with The Black Power Station
  Noel Lobley (University of Virginia)
  Seminar in Ethnomusicology and Sound Studies

Monday 23 October 2023

• 16:00 - <speaks> with Du Yun
  Please visit our website to register
  Professor Du Yun (Johns Hopkins University)

Tuesday 31 October 2023

• 17:15 - Virtual Hip Hop Concerts in Video Games: One Fortnite Only
  Dr Steven Gamble (University of Bristol)
  Graduate Research Colloquia

Tuesday 7 November 2023

• 17:15 - Sonic Visions: How Music Navigates the Visual Pathways of the Mind
  Mats Küssner (Humboldt University, Berlin)
  The Oxford Seminar in the Psychology of Music

Tuesday 14 November 2023

• 17:15 - The Afterlives of Brahms’s Library
  Dr Reuben Phillips (University of Oxford)
  Graduate Research Colloquia

Tuesday 21 November 2023

• 17:15 - Teaching timbre
  Dr Megan Lavengood (George Mason University)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Wednesday 22 November 2023

• 17:00 - Reimagining Methods and Approaches for Teaching Music Theory to Higher Education Students
  Dr Lauren Redhead (Goldsmiths, University of London), Professor Byron Dueck (Open University), Dr Tom Attah (Leeds Arts University)

Tuesday 28 November 2023

• 17:15 - Graduate Research Colloquium: Dr Matilde Meireles (University of Oxford)
  Dr Matilde Meireles (University of Oxford)
  Graduate Research Colloquia

Thursday 30 November 2023

• 18:45 - Pre-Concert Talk by Professor Martyn Harry - Castalian String Quartet: Mozart, Turnage & Brahms
  Professor Martyn Harry (University of Oxford)

Monday 5 February 2024

• 17:00 - In conversation: Jan Younghusband, Visiting Professor in Music Business
  Jan Younghusband, Professor Suzanne Aspden (University of Oxford)

Tuesday 6 February 2024

• 17:15 - The Development of Cognitive and Musical Abilities: Preliminary Results of a Longitudinal Study
  Professor Daniel Müllensiefen (Goldsmiths University of London)
  Oxford Seminar in the Psychology of Music
• 20:00 - Sounds from Brazil (a lecture-recital)
  Rita Medeiros, Dr Heloisa Feichas (Federal University of Minas Gerais, Brazil)
  Seminar in Ethnomusicology and Sound Studies

Tuesday 23 April 2024

• 17:15 - 'The Rustle of Language, the Resistance of Voice: Columbia Records DF 3367 (Paris, 1950)'
  Professor Mary Ann Smart (UC Berkeley)
  Graduate Research Colloquium

Tuesday 30 April 2024

• 17:15 - ‘Between silence and sound: finding voices for French songs, 1100-1300’
  Professor Emma Dillon (King's College London)
  The Oxford Seminar in Music Theory and Analysis

Tuesday 7 May 2024

• 17:15 - Keeper of the Flame: Miyan Himmat Khan and the Last of the Mughal Emperors
  Dr Katherine Schofield (King's College London)
  Graduate Research Colloquium

Tuesday 14 May 2024

• 17:15 - ‘Timbral segmentation and association in two works by Rebecca Saunders’
  Professor Robert Hasegawa (McGill University)
  The Oxford Seminar in Music Theory and Analysis

Tuesday 21 May 2024

• 17:15 - Inaugural lecture: “The University of Sound, The Sound University—in Theory”
  Professor Naomi Waltham-Smith (Professor of Music, University of Oxford)
  Graduate Research Colloquium

Tuesday 28 May 2024

• 17:15 - 'Using co-design of technology to unlock possibilities for music interaction with people living with dementia'
  Dr Jennifer MacRitchie (University of Sheffield)
  Oxford Seminar in the Psychology of Music

Thursday 18 July 2024

• 14:00 - Policy engagement workshop on Sonic Storytelling and Storylistening
  If you wish to attend, please email naomi.waltham-smith@music.ox.ac.uk no later than noon on Monday 15 July. Spaces are limited due to the interactive nature of the sessions.
  Dr Claire Craig CBE (University of Oxford), Professor Thomas Gernon (University of Southampton), Miriam Quick (Loud Numbers), Professor Gascia Ouzounian (University of Oxford), Professor Samantha Dieckmann (University of Oxford), Prof Noel Lobley (University of Virginia), Professor Laudan Nooshin (City, University of London)

Monday 16 September 2024

• 12:30 - Policy engagement workshop: “How should the new Labour government be listening?”
  Will Jennings (University of Southampton), Phil Burton-Cartledge (University of Derby), Jonathan Hopkin (London School of Economics), Ben Ansell (University of Oxford), Ceri Davies (National Centre for Social Research), Becca Massey-Chase (Institute for Public Policy Research), Matt Johnson (The Runnymede Trust), Aurelien Mondon (University of Bath), Claire Ainsley (Progressive Policy Institute—joining virtually)

Tuesday 15 October 2024

• 17:15 - “She Proclaimed a Chicago Renaissance”: Mapping Black Women’s Classical World-Making
  Dr Samantha Ege (University of Southampton)
  Graduate Research Colloquium

Monday 21 October 2024

• 16:00 - On Creolized New Music
  Dr Harald Kisiedu (Osnabrück University of Applied Sciences‘ Institute of Music), Dr Harald Kisiedu (Osnabrück University of Applied Sciences‘ Institute of Music)
  <speaks>

Tuesday 29 October 2024

• 17:15 - Graduate Research Colloquia: Justin Adams & Mauro Durante
  Justin Adams, Mauro (Durante)
  Graduate Research Colloquium

Thursday 31 October 2024

• 17:00 - Philippe de Vitry (31 October 1291 – 9 June 1361)
  Anna Zayaruznaya (Yale University), Andrew Wathey (The National Archives and Northumbria University)
  All Souls Seminars in Medieval and Renaissance Music

Friday 1 November 2024

• 18:00 - Lost Science
  Tansy (Davies)
  <speaks>

Tuesday 12 November 2024

• 17:15 - 'Domesticity and The Girly Organist'
  Dr Rebekah Okpoti (Liverpool Hope University)
  Graduate Research Colloquium

Monday 18 November 2024

• 16:00 - 'Mouthpieces'
  Erin Gee
  <speaks>

Tuesday 19 November 2024

• 17:00 - New Directions in Topic Theory
  Olga Sánchez-Kisielewska (University of Chicago), Ben Major (Royal Holloway, University of London), James Donaldson (University of Oxford), Edward K. Spencer (Utrecht University)
  The Oxford Seminar in Music Theory and Analysis

Wednesday 20 November 2024

• 16:00 - Making a classical music documentary for cinema and streamers
  Jan Younghusband

Thursday 21 November 2024

• 17:00 - The long life of the Trecento repertory
  Lucia Marchi (University of Trento)
  All Souls Seminars in Medieval and Renaissance Music

Tuesday 26 November 2024

• 17:15 - 'Ancestral Crossfades: Affective Articulation in Beyoncé’s RENAISSANCE'
  Dr Jacob Kingsbury Downs (University of Oxford)
  Graduate Research Colloquium

Thursday 5 December 2024

• 17:00 - A.I., Similarity, and Search in Medieval Music: New Methodologies and Source Identifications
  Michael Scott Asato Cuthbert
  All Souls Seminars in Medieval and Renaissance Music